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  • Wikileaks - a history?

    Staatsfeind Wikileaks - "Wikileaks - Enemy of the State" - published in January 2011 by two journalists (Marcel Rosenbach and Holger Stark from Der Spiegel) who followed Julian Assange during the tumultuous year of Wikileaks "revelations" and exposures throughout 2010 is one of those perplexing "history of now" books

    Reading the book (a Christmas present from my brother in law) now, especially the introductory paragraphs, feels strangely hollow, as if there's a large, NSA and Edward Snowden-sized gap in the story being told. Conversely, today there seems to be a Wikileaks and Assange-sized gap in the news - though it's a gap nobody appears to miss very much.

    I'm only at the beginning of Staatsfeind Wikileaks and, despite a noticeable editorial miss (unless I've missed a large Australian city called "Syndey"), it's shaping up to be an interesting read. It has flowed fairly chronologically so far, describing an unusual, unsettled and unsettling person in his youth. Assange's early life on the run - from society, from an aggressive step-father, from security administrators, from the police - and his unfurling into the world of computer geekery and hacking is efficiently told - though I'm not sure if we really needed to know the various unproven theories as to why his hair turned white in his early twenties. Assange is certainly an uncomfortable main character (but then, would a pipe-and-slippers type have set up Wikileaks and have been worthy of a mountain of journalism?). His early hacker activities, whilst no doubt skillful, an art unto themselves, come across as merely petulant. His early activism is rather teenaged - one-sided and immature.

    It is this question about "maturity", "common sense", "protecting us from ourselves and other undesirables" that promises to form a large part of the book, with questions running permanently alongside Assange's actions. How much transparency can we handle? How useful is / has been / will be Wikileaks as a forerunner of a potential open-source future? Have any of the revelations from Wikileaks been of any service, other than to highlight the stinking underside of war and diplomacy which we don't really need to know about?

    What the book certainly won't be able to answer is - is Wikileaks relevant now? With Assange trapped in the Ecuadorean embassy in London, unwilling to face trial in Sweden for alleged sexual assault - presumably since that would be a gateway to his extradition to his bestest friends in the USA - there seems to be a hiatus in the development of this enforced openness. And there doesn't seem to be much in the way of open arms waiting for even more sordid truth to out.

    The Snowden question has blown open the door to discussion about spying. The Assange question is - the way I perceive it - at least slumbering: how much do we and should we know about the political world around us?

    I'll post a review once I'm through...
    → 9:05 PM, Feb 12
  • Random Ambivalent Listenings

    The “Albums of the Year” articles are trickling in, including this one from the Guardian on Daft Punk’s Random Access Memories. In it, there’s a wonderful quote that really hits the mark on how I feel about the album - originally from Sasha Frere-Jones in the NYT: 

    “The duo has become so good at making records that I replay parts of Random Access Memories repeatedly while simultaneously thinking it is some of the worst music I’ve ever heard … This record raises a radical question: does good music need to be good?"

    This hits home on the interplay between composition and production / performance, a wonderfully delicate balance. Of course, a terrible performance can wreck even the best composition - but for me, it’s better to find nuggets of a great composition in the rubble of a poor performance than to be able to appreciate an amazing performance of dross.

    André Rieu and Daft Punk on the same side of the spectrum? Harsh, but one to think about.

    → 11:15 PM, Dec 18
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